Eyewear born from
the craftsmanship of
eyeglass
and maki-e artisans,
lacquered
glasses
adorned with a deep, lustrous sheen.

BJ CLASSIC COLLECTION × 越前漆器

Echizen lacquerware, passed down continuously for over 1,500 years.
Since ancient times, it has been deeply intertwined
with people’s lives, alongside the gods.

That craftsmanship now finds its way into the world of eyewear.

Captivated by this almost primordial, spiritual realm,
considered the very origin of Japanese craftsmanship,
together with the eyewear artisans of
“BJ CLASSIC COLLECTION,” it has opened up a new frontier.

UR-CE551 MP 47

CRAFTMANSHIP

Tradition meets innovation, Maki-e craftsmanship.

フレームを研ぐ

1

Polishing the Frame

The surface of the frame is polished to improve the adhesion between the material and the lacquer.

漆を下塗りする

2

Applying the Base Coat of Lacquer

The initial layer of lacquer serves as a foundation.
By repeatedly applying, drying, and polishing, this crucial process determines the quality and durability.

乾燥させた漆を研ぐ

3

Polishing the Dried Lacquer

The dried lacquer is polished to improve adhesion for the next coat and to remove dust, impurities, and any unevenness on the surface.

漆を塗り重ねる

4

Applying Multiple Coats of Lacquer

The top coating requires the skill to apply an even thickness as well as skill in drying.
As lacquer becomes hard through a chemical reaction, it requires a certain level of temperature and humidity.

Because the process is affected by weather conditions, years of experience are required.

蝋色仕上げ

5

Ro-iro Finishing

The artisan applies a mixture of tonoko powder and rapeseed oil to their fingers and polishes the lacquer surface by hand.
This process smooths out any unevenness on the lacquer surface, making the softness and texture of the artisan’s fingers essential.

Through this process, the lacquer develops its characteristic deep luster.

PRODUCTS

C-1-2 BLACK-BENIDAME
Color
C-1-2 BLACK-BENIDAME
C-2-1 バラフ-黒漆
Color
C-2-1 BARAFU-KUROURUSHI

CRAFTSMAN EDITION

URUSHI

UR-CE501N MP

SIZE
50□17-145
C-1-2 BLACK-BENIDAME
Color
C-1-2 BLACK-BENIDAME
C-2-1 バラフ-黒漆
Color
C-2-1 BARAFU-KUROURUSHI

CRAFTSMAN EDITION

URUSHI

UR-CE510N MP 48

SIZE
48□21-145
C-1-2 BLACK-BENIDAME
Color
C-1-2 BLACK-BENIDAME
C-2-1 バラフ-黒漆
Color
C-2-1 BARAFU-KUROURUSHI

CRAFTSMAN EDITION

URUSHI

UR-CE551 MP 47

SIZE
47□23-146

CRAFTSMAN

涼峰

Echizen Lacquerware Maki-e Artisan

涼峰

RYO-HO

In 1985, he developed an interest in maki-e and trained under traditional craftsman Koichiro Tsukada. He became independent in 1992, adopting the professional name “Ryoho.” In 1993, he joined the Echizen lacquerware maki-e association “Shitsurinkai.” In 2019, his maki-e work was selected for use at the Imperial enthronement ceremony banquet (Kyōen no Gi). Since then, he has mastered numerous techniques and continues to be active at the forefront as a maki-e artisan.

Echizen Lacquerware

“Echizen lacquerware” is produced in the Kawada area of Sabae City, Fukui Prefecture, and its surrounding regions. Its techniques have been continuously passed down for approximately 1,500 years since the late Kofun period. Lacquerware production is based on a well-established division of labor, in which specialized artisans handle each process—base forming and coating (undercoating and top coating). Through these refined skills, lacquerware of refined beauty and durability is completed.